The difference that first strikes me between Gould’s 1955 version of the Goldberg Variations, BWV 988: Var.10, Fughetta versus his 1981 version is the difference in sound quality, both of the recording and the piano. In the 1951 version, the piano has more of a muted quality, and the recording has an element of sounding far-off and a bit quieter. The 1981 version is played on piano with a much brighter sound and the recording nearly has an echo to it. The echo and acoustics of the recording give it a more authentic, lively feel. Although the 1981 version felt livelier, it was also a touch slower. It sounded more deliberate, with more deliberate articulations, especially in the beginning of the section, where the 1981 version is much more staccato than the 1955 version. In comparison to the tempo of the 1981 recording, the 1951 recording nearly sounded rushed. Both versions still maintain Gould’s signature clarity and precision.